Marple is a small town near Manchester. Its name may remind you of a certain old lady sleuth.
The town’s station embraces it 100%.
There is also this, on the other platform.
The poster lists all the ties Agatha Christie to the North. I’ve already covered Abney Hall on the blog.
This was the first time ever I visited Marple. I always thought it was a coincidence, but it turns out that Miss Marple’s name was indeed inspired by the town. I actually found out about the posters at the station from the Twitter account Agatha Christie in the North. And I found out about the Twitter account because they followed me after I tweeted something (I think it must have been that Abney Hall post–all my posts are automatically tweeted as soon as they’re published.) So really, it was me being a fan that helped me discover things related to the thing that I’m a fan of!
Although to be fair, I most likely would have gone to Marple at some point anyway.
I’ve never seen Anne of Green Gables series in printed format, she said.
She was looking in the wrong section.
The other day I was in Waterstones, an incredibly wonderful UK bookstore, which also sells stationery and other cool silly stuff. While I was paying at the till, for one reason or another (I don’t know where I get the urge to talk to people these days, I never used to be like that), I asked the checkout guy if they ever had Anne of Green Gables in stock. He searched the database and confirmed they did have it–in the children’s 9-12 years section.
You know how much Anne means to me. So yesterday when I was in Waterstones again, I went to check the said section and indeed, there it was. I picked the hardback, because when it comes to physical books, I prefer them to paperbacks.
This is the treasure.
Actually… a few days before I bought it, I was in Paperchase (a mega cool stationery shop) just browsing around and I saw this same edition. They don’t normally sell books, so I thought it was some hipster thing and didn’t pick it up and open it. So when I saw it at Waterstones, I was like, OMG it’s real!
Can I just say… okay, I know nothing about categorising books, but it doesn’t seem right to me to have the Anne series in the children’s section. Little Women gets to be with the classics, yet has a similar theme. Anne is also far more fun, far less patronising, has better characters and the right people end up coupled at the end; as opposed to wrong people marrying the wrong people in Little Women. Maybe I shouldn’t be bothered about it, because after all, there is nothing wrong with children’s books, but why can’t it be in both sections at once? I spent ages desperately looking for Anne when I came to UK, in libraries and bookshops. When I couldn’t find any LM Montgomery books here, I concluded that she wasn’t as popular here as in Slovakia (where her books certainly aren’t in the children’s section). I know you think I could have just asked the staff in library or a bookshop, but well, I didn’t. I have social anxiety for one and I hate asking for help and then, I used to feel stupid about liking certain things. Like, nobody cared about Anne anymore after they’d finished all the books and I was the only one who did. Also, I could not have been sure what the book was called in English. Green Gables is translated into “green house” in my language. I don’t think we even have a word for “gable”, Anne’s room in east gable is translated as “east attic room”. Different countries, different architecture styles.
For the inside the book shot, I chose this unforgettable chapter, in which Anne and her friends Diana, Jane and Ruby decide to play out Elaine (I believe it’s the poem The Lady of Shallot by Alfred Tennyson) in real life and Anne nearly drowns in a pond. After this, she makes a sensible decision to not be romantic again. “It was probably easy enough in towered Camelot hundreds of years ago, but romance is not appreciated now,” she says to Marilla. This however saddens Matthew and he tells her:
Don’t give up all your romance, Anne. A little of it is a good thing–not too much, of course–but keep a little of it, Anne, keep a little of it.
Dear, dear Matthew Cuthbert. We need more like him.
This is the post that was always meant to be. I have never specially planned it but I was always conscious of its existence outside Some Photoblog’s space-time continuum. Now, the time has come to publish it.
World, welcome to my most favourite author ever.
Some call her the Queen of Crime and even if you’ve never read any of her books, you know who she is.
I have mentioned Agatha Christie once or twice on this blog, most notably in the Yggdrasil entry, but never made a post about her. I’ve blogged more about LM Montgomery, who is my second most favourite author (sorry LM!) That’s understandable; when you photograph nature it’s easier to quote Montgomery, as anyone who ever read even one of her books will know, because of those beautiful descriptions.
I got into Agatha Christie sometime in my mid-teens; my first book was Murder of Roger Ackroyd, an Hercule Poirot mystery, which also happens to be one of the best. It could hardly have been a better start. But her best selling (and indeed the best selling mystery novel of all) is And Then There Were None. I think all of us who have read And Then There Were None can agree that this is absolutely justified.
(Yes, it’s the-one-that-one-that-used-to-have-that-racist-title, but this was taken from a children’s rhyme, which is not Agatha’s creation. In newer editions, the racial slur in the rhyme is replaced with “soldier”.)
Hercule Poirot, the private detective from Belgium and Miss Marple, an old lady who has lived all of her life in a little village of St Mary Mead are Agatha Christie’s most famous characters. But she’s much more than that. There are Tommy and Tuppence Beresford, the couple that first appear in The Secret Adversary as young adventurers and who unlike Poirot and Marple actually get older with each subsequent book. Then we have short stories featuring Mr Parker Pyne, who is an unusual type of detective, if he can be called that. Are you happy? If not, consult Mr Parker Pyne, runs his advertisement in the newspaper. His speciality appears to be the matters of heart (as in, love, not heart surgery). And then there is the most mysterious character Agatha ever created, Mr Harley Quin (not to be confused with Harley Quinn, the DC comics character). He appears and disappears again just at the right time, with no explanation, and we never get to find out anything about him. The short stories featuring him are written from the point of view of Mr Satterthwaite, a middle aged socialite, who–not in a malicious way–enjoys other people’s drama. Harley Quin short stories have this spooky atmosphere, almost touching on supernatural.
Apart from the above, Agatha Christie’s work includes numerous mystery novels without any regular detective; a few with Superintendent Battle, who also appeared alongside Poirot in Cards on the Table. And so on and so on.
I don’t know how many people are aware of the fact that she didn’t just write mystery/crime fiction. She wrote six novels under the name Mary Westmacott. I’ve seen them boxed under “romantic novel” genre, though I’m unsure how correct this would be. I’ve only read Giant’s Bread so far and I would not classed it as romance/romantic fiction. I’m not that good at labelling things, but if Giant’s Bread got a movie adaptation, I’d call it drama or period drama.
And that’s not all. She was also a playwright. The Mousetrap is the longest running play in UK. I have seen it performed here in Manchester on their 60th anniversary tour. (As you can see from the top picture, I kept the ticket, for all of six and a half years!)
What’s interesting also is that, though she wrote a few plays and even turned her own books into plays (e.g. there is a stage version of And Then There Were None with a different ending; Witness for the Prosecution was a short story before it was a play), her stories are still adapted for stage by other writers. For example, Love from a Stranger is a play based on the short story Philomel Cottage. You can find Philomel Cottage in the Witness for the Prosecution and Other Stories collection (maybe in other collections too) or on its own in digital format. It’s a tense story about a newly married woman experiencing sudden anxiety, which she cannot identify. I like to think of it as a predecessor to modern domestic thrillers, though it’s probably not, because I can’t imagine many people/writers know of it. But it has exactly the same feel. I went to see Love from a Stranger last year in July.
Speaking of adaptations, it would be an unpardonable crime not to mention this guy.
David Suchet played Poirot on screen for 24 years and will probably always be the best, the most ultimate Poirot of all time. Not that other actors shouldn’t play him or that they won’t be good as good Poirots; I mean that no one will be the truer Poirot as Suchet. He is so much associated with the little Belgian detective that he wrote a book about it!
Currently he is played by Kenneth Branagh, who has done Murder on the Orient Express and is preparing Death on the Nile next. Branagh’s Poirot is more of a 21st century hero, with a more diverse cast. And that moustache is a legend!
I relate to Poirot in a way that he’s a Continental European living in England and people keep getting his nationality wrong.
My name is Hercule Poirot and I am probably the greatest detective in the world.
Hercule Poirot, The Mystery of the Blue Train
The impossible cannot have happened, therefore the impossible must be possible in spite of appearances.
Hercule Poirot, Murder on the Orient Express
Human nature is much the same everywhere and, of course, one has opportunities of observing it at close quarters in a village.
Miss Marple, The Thumb Mark of St Peters (short story)
This above quote is the most typical of Miss Marple. She usually cracks the mystery because someone reminds her of someone else. I think in this way, her village serves as a microcosm of the world. She observes life closely, which then helps her solve crimes that baffle even experienced Scotland Yard officers.
Some of my collection:
In fact most of the physical books I own are Agatha Christies. I bought them before eBooks were a thing.
So, as you can see, I’m an Agatha Christie fan. I know she’s not literally acclaimed–some male author apparently wrote an essay titled Who Cares Who Killed Roger Ackroyd? (who cares about you, more like)–but so what. There is nothing like curling up with a blanket, nice cup of hot drink and a good old fashioned mystery. Does not mean you can’t appreciate Shakespeare as well. Actually Agatha quotes Shakespeare sometimes–the novel Taken at the Flood is titled after a line in Julius Caesar. And I want to add another thing, the thing I think about often and which appears in her books quite a lot and is my favourite element of her entire work.
Whenever there is a crime committed, the perpetrator must be found. But the most important thing is not to punish the perpetrator. It’s to clear the people that didn’t do it. I first came across this in Miss Marple short story The Four Suspects. Miss Marple and her companions discuss an unsolved case presented to them by Sir Henry Clithering, a retired Scotland Yard Commissioner. Miss Marple, as is her fashion, comes to the correct conclusion without much trouble. Sir Henry is outraged by the fact that the guilty party got away with it, but Miss Marple points out that it was not the case–the murderer got in with such a bad lot that their end will be inevitable. But she urges Sir Henry to let the other parties know that they’re innocent. Well, she means particularly one party, the one she believes would suffer most from having that suspicion hanging over their head.
One mustn’t waste thought on the guilty–it’s the innocent who matter.
Miss Marple, The Four Suspects (short story)
This is also the whole premise of Ordeal by Innocence. Dr Calgary approaches a family claiming that he can provide an alibi for their son who got charged with murder. It’s too late for the son, who died in prison but he thinks he can at least clear his name. But this causes distress to the family–if it wasn’t him, then who was it? And immediately they start suspecting each other again and their nightmare is back. Dr Calgary then decides to find the culprit–which he does in the end.
It’s not the guilty who matter. It’s the innocent. It’s we who matter. Don’t you see what you’ve done to us all?
Hester, Ordeal by Innocence
And that is why Ordeal by Innocence is such a good book and a rare late one. (To be perfectly honest, the later works of Agatha Christie as not as good, though there are still some gems.) It is also why the latest adaptation on BBC got it so wrong. It’s not so much that they changed the murderer, it’s that they completely misunderstood the story. You can change a lot of things in an adaptation and still keep the spirit of the book. Remember what I said about the new Netflix Anne of Green Gables series, Anne with an E? It differs from the books a lot, adds new characters and plots, but it still keeps the same spirit. The same aesthetics. All the characters are what they are in the books; Anne, the Cuthberts, Diana, Gilbert, Mrs Lynde. The setting, which is crucial, is still the same Prince Edward Island. Sure, it’s dark, but it’s not like that darkness was completely made up by the screenwriter. It was always there, between the lines. The screenwriters knew their stuff. Kenneth Baranagh also knew his stuff when he made the Murder on the Orient Express. Unfortunately the BBC adaptations do not know their stuff. Not. At. All. The last two made me so angry I will not watch them again.
I will end with a quote from the epilogue of Agatha’s autobiography.
I have done what I wanted to do. I have been on a journey. Not so much a journey back through the past, as a journey forward–starting again at the beginning of it all–going back to the Me who was to embark on that journey forward through time. I have not been bounded by time or space. I have been able to linger where I wanted, jump backwards and forwards as I wished.
Ooh she really does float outside the space-time continuum!
Over to you now, readers. Any Agatha Christie fans? Any of you have blogged about her? Come and tell!
So here they are, as promised in my previous post.
These pastures are right beyond the Haworth Parsonage and the church–there are several little paths that lead out on the moors.
I believe Top Withens, carved on the above sign, was Emily Brontë’s original inspiration for the setting of Wuthering Heights.
I wish I could have seen more of the moors, but I had to rush back to town to catch the bus. Yeah, literally I ran on the moors, though for much more practical and much less romantic reason than that I wish I were a girl, half savage and hardy and free. (Well, I am ever an indoors person.)
Whatever our souls are made of, his and mine are the same.
I’ve always had hard time with Wuthering Heights. It was a struggle for me to read it in English (when Jane Eyre and The Tenant of Wildfell Hall weren’t) and I don’t like the narrative style, though I can get past that. What really was the problem, as it is probably for many people, was that the book was promoted to me as romance–when it isn’t. It’s a story about revenge and cycles of abuse, as brilliantly explained in this Tumblr post. Once I understood that, I got it. And what I always liked, even before I knew all of this, was the ending and how Catherine the younger and Hareton get together. I have no doubt the first Catherine and Heathcliff loved each other, but they were both awful and hurt everyone around them. Whereas Catherine Jr and Hareton chose kindness in the end and they lived happily ever after. (And let’s not forget, in the 1998 adaptation Hareton is played by Matthew Macfadyen, who went on to play Mr Darcy in the 2005 version of Pride and Prejudice!)
After seeing the moors with my own eyes, I no longer wonder why Emily Brontë wrote Wuthering Heights. How could she not?
My own video, made by smartphone.
You may have recongised the first line of this post, out on the wiley, windy moors, as the line not from the book, but from the 1978 song by the magnificent Kate Bush. I wonder, could this song be considered a musical version of fanfiction?
Fun fact: Kate Bush and Emily Brontë share the same birthday, 30th July.
Following my previous post, here are some pictures of Haworth Parsonage. (And some things I’ve got to say at the end.)
Haworth Parsonage was the home of Charlotte, Emily and Anne Brontë and is now a museum. It’s mostly unchanged from what it looked like then and contains furniture, clothes and other possessions and artefacts owned by the family. Certainly interesting for any literature lover, but an absolute must for fans of any of the sisters.
St Michael and All Angels Church, where Patrick Brontë was a parson.
The tickets cost £9 for an adult, but can be used for multiple visits within 12 months. The museum also has a little shop that sells their books and souvenirs. They have mugs, notebooks, tote bags, stationery, you know that sort of stuff. I bought myself a fridge magnet with the picture of that famous painting of the three sisters, made by their troublemaker brother Branwell.
I couldn’t help but feel there was an underlying sadness, but that sadness is always there when it comes to the Brontës, isn’t it? They all died so young. I felt such sorrow for Patrick Brontë, who lost his whole family; first his wife to cancer, then all six children one by one. Aside from literature, should another word associated with the Brontës be–tuberculosis? What’s interesting is that Patrick lived to be 84 and for one reason or another, had a strong immunity that was not inherited by his children. Although I wonder. If Charlotte really died from a form of extreme morning sickness, could she have lived longer had she not got pregnant?
The graveyard between the Parsonage and the church.
I want to say a few words about the books now. The ones I’ve read so far are: Jane Eyre by Charlotte, Wuthering Heights by Emily and The Tenant of Wildfell Hall by Anne. My favourite out of these? The Tenant of Wildfell Hall! And this is not me being a hipster. It’s because–how could it not be? The real question is, why is it not more popular? Why is Anne known only as the “third Brontë sister”, so much so that Family Guy had a cutaway scene about that?
Charlotte prevented re-publication of The Tenant of Wildfell Hall after Anne’s death because apparently she found it too shocking. Well, it was, but why did Charlotte find it so? This is what she had to say about it: “Wildfell Hall hardly appears to me desirable to preserve. The choice of subject in that work is a mistake, it was too little consonant with the character, tastes and ideas of the gentle, retiring inexperienced writer.” Like, sigh… So because someone is gentle, they can only write… gentle? Do you even fiction, Charlotte? And who are you to decide it was not desirable to preserve and what makes you think the subject of the work is a mistake? Anne didn’t put in the book anything that she hadn’t seen while working as a governess, which included Branwell’s affair with Lydia Robinson, the mistress of the house and mother of the children Anne was a governess to. It’s likely she left her position because of that.
What can you do, Branwell gonna Branwell.
Really, I don’t understand why Charlotte was so easily shocked. She was the oldest. She spent time in Brussels, she had a huge crush on a married man, she worked as a teacher and as a governess, she must have seen things. And then there was the alcohol-prone, opium-addicted, debt-incurring brother. Branwell inspired all three of the sisters to some extent, at least I think I can find him in every book. John Reed in Jane Eyre, Hindley Earnshaw in Wuthering Heights and Arthur Huntingdon in The Tenant of Wildfell Hall. All of their work was quite groundbreaking at the time. So why the outrage, Charl?
I found this article about Anne by Lucy Mangan on Guardian, which ends with “I’d like to think her time has come.” I’d like to think so too and that, in the #MeToo era, there’s no better time than now.
Link to The Tenant of Wildfell Hall on Gutenberg. Also, hello Netflix, Amazon Prime or whoever, if you’re reading this: we urgently need a new adaptation. Sort it out for us, please.
Today’s post is another attempt of mine at still-life photography. It also combines some of the things I like: coffee, croissant, Star Trek, one of my favourite music artists and, well, since I titled it A Saturday Morning, weekend.
If you look closely, if you can see it, you’ll notice the magazine is an April 2018 issue, which would make it a year old. I confess I’ve not actually read any of it, I only bought it because I loved the cover so much. Naomi Campbell and Skepta just look so gorgeous on it. It was the magazine that first gave me an idea of a photoshoot like this, but it took me a whole year to actually do it. For some reason I decided I must have a croissant there and the problem with me and croissants is that anytime I buy some, I have to eat them immediately, so by the time I remembered to take out my camera, they were gone.
I’m quite pleased with how the shot turned out in the end.
If you’ve ever visited my blog, you might have noticed that I’m a fan of Anne of Green Gables series by LM Montgomery. So it only made sense to dedicate a little photoshoot to the red-headed orphan that lived on Prince Edward Island.
I don’t own any of the books in physical format. As I said in my Kindle eBooks post, I have never seen them in print and downloaded them all from Gutenberg. (All of LM Montgomery’s work is in public domain, apart from The Blythes Are Quoted, which was released quite recenly–and which I very much recommend, it will surprise you!)
Well, apart from this very old falling-apart paperback copy that I found in a charity shop.
So for the photoshoot I used the doll of Anne that I got from Etsy and the book Anne of Green Gables Treasury by Carolyn Strom Collins and Christina Wyss Eriksson.
This book is such a delight! It is sort of a companion to the Anne books with lovely illustrations. It describes things from Anne’s time, such as tea parties, handwork, fashion and gardening, plus the timeline. I found out about the book thanks to Pinterest–someone pinned the cover image from a blog post of a reviewer. (Don’t ever tell me Pinterest isn’t useful.)
It wasn’t until I started thinking about it many years later that I realised what a great heroine Anne is. She constantly works to improve herself, she’s a good student and is always there for her friends. Despite being mistreated as an orphaned child, she remains kind (this she has in common with other popular fictional heroes, Jane Eyre and Harry Potter). She finds joy in everything around her and of course, has that famous unbeatable imagination. And not only does she find love with Marilla and Matthew, they learn from her too.
The adaptation with Megan Follows is a classic, but there is a new series on Netflix that started in 2017. I know not everyone likes that one, because it’s so dark, but in my opinion they got it exactly right. If you think about it, there is a lot of darkness in Montgomery’s work. See this excerpt from Anne of Green Gables Chapter 5 – Anne’s History, in which Anne narrates to Marilla how she was taken in by Mrs Thomas after the deaths of her parents and later lived with Mrs Hammond:
“Were those women—Mrs. Thomas and Mrs. Hammond—good to you?” asked Marilla, looking at Anne out of the corner of her eye.
“O-o-o-h,” faltered Anne. Her sensitive little face suddenly flushed scarlet and embarrassment sat on her brow. “Oh, they meant to be—I know they meant to be just as good and kind as possible. And when people mean to be good to you, you don’t mind very much when they’re not quite—always. They had a good deal to worry them, you know. It’s a very trying to have a drunken husband, you see; and it must be very trying to have twins three times in succession, don’t you think? But I feel sure they meant to be good to me.”
Marilla asked no more questions. Anne gave herself up to a silent rapture over the shore road and Marilla guided the sorrel abstractedly while she pondered deeply. Pity was suddenly stirring in her heart for the child. What a starved, unloved life she had had—a life of drudgery and poverty and neglect; for Marilla was shrewd enough to read between the lines of Anne’s history and divine the truth. No wonder she had been so delighted at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew’s unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing.
In other words, it seems that some kind of child abuse happened. And that is just one example. At the end of Anne of Green Gables, Matthews dies and all their money is lost in a bank crash. It’s not all sunshine and roses. Not to mention people dying from tuberculosis and similar. And not many opportunities for women either.
I read about Lucy Maud’s life and apparently her husband suffered from mental illness and she wasn’t always that well herself. She had a child that was stillborn. I think the showrunners got the look and feel right. And because it’s the current year, they threw in extra LGBT representation and a bit of colour. (Though from what I read, it appears that Prince Edward Island really is that Scottish and that Presbyterian.) Also, the acting is absolute top and the series is worth watching for the scenery alone.
Now, I feel bad for talking about Anne so much when I enjoyed almost everything else LM wrote. Emily of New Moon series is just as good as Anne but my favourite book is The Blue Castle. I wonder if we ever get an adaptation of that one, but I’m not optimistic. It’s a bit like with Arthur Conan Doyle, there has been so many Sherlock Holmeses that people don’t even realise he wrote other books. Sigh…
There is something I have to mention when talking about Montgomery’s work, which I think is important. She was, to put it bluntly, kinda racist. There is a short story in Further Chronicles of Avonlea collection titled Tannis of the Flats and it’s awful. Not because of the story–the story is great–but the prejudice, oh dear. It concerns Native Americans and it’s just… bad. That’s all. Yes, I know she lived in a different time and all that, but that doesn’t mean it shouldn’t be acknowledged. So there.
Dear old world, you are very lovely, and I am glad to be alive in you.
I’ve been thinking about doing this post for months. Initially I contemplated giving it some Buzzfeed-style catchy title (17 Ways My Kindle Makes My Life Worth Living) but in the end I opted for simple, what-it-says-on-the-tin title. So here it is.
I’ve mentioned books on this blog here and there, mostly either LM Montgomery’s Anne of Green Gables or Agatha Christie, or, if it’s a Gloomscapes post, a dystopian novel. This post not strictly about books, though, it’s about their format. The reason? Well, eBooks need some love. I’m fed up with the stupid comments about how eBooks will never be as good as “real books” and how you can’t really get immersed in an eBook and real books, nothing beats the smell of real books, realbooks, reAAAAALBOOKS waah waah waah! So, here I want to list my reasons why I LIKE eBooks.
However, this is not a physical books versus eBooks article. It’s not a war and it’s actually possible to like both. It’s an eBook appreciation piece—nothing more, nothing less.
Before I start, Disclaimer 1: I’m going to talk about Kindle eBooks, because that is the format I’m familiar with. Most of the main points should apply to other brands, but some of them may not.
Disclaimer 2: I do not work for Amazon and this post is not endorsed by Amazon.
eReaders are compact – in a device the size of a paperback, you can store 1000s of books and carry them around with you wherever you go.
Speed – eBooks take seconds to download. Now this may sound lazy, I can hear those “instant gratification” comments already. But it’s more than that. People who may not have time to go to bookstores due to work and family commitments, people who live in remote locations with no bookstore in a reasonable distance, people who have disabilities that make going to a bookstore a difficult task.
“RealBooks look better on the shelf!” they say. I’m sure that’s very nice, but… what if you don’t have a bookshelf? We live in hard times. Not everyone can afford to buy big houses with large rooms where you can dedicate multiple walls to bookshelves. A lot of people rent, a lot of people can only buy small abodes with little to no space for bookshelves. And if you’re still far from being settled down and know you’ll have to move several times, moving physical books just adds to your load.
In-built dictionary. May not seem that important, but if you’re not a native English speaker, it sure is useful. Highlight a word and a definition appears. Yes, yes, you can look up the word in a physical dictionary but you don’t always have one by hand. Or you’re reading on your lunch break at work, on a train or bus.
Free classics/public domain books. Books that are in public domain are available for free in multiple formats. Shakespeare, the Bronte sisters, Jane Austen, Charles Dickens, Mary Shelley, Arthur Conan Doyle and Robert Louis Stevenson are just few examples. This is fantastic for lovers and students of classic literature, of course, and it also happens to be my favourite point, because this is how I was able to finally access all the LM Montgomery books after I moved to UK. Try as I might, I couldn’t find any of LM’s books in shops and libraries (I read somewhere that her books, or at least the Anne series, have never been out of print. I’ve never seen them in print!*) I still remember the feeling of absolute joy when I discovered her workon Gutenberg. Through a link on Wikipedia, no less. I downloaded all of them one by one and read them on my laptop, as this was before e-readers became mainstream. I was so, soooo happy to finally read all of LM Montgomery’s books in English! I can’t describe it to you how happy I was. (I soon found out how terribly bad the translations into my language were, but that’s another topic).
Highlights and notes – highlight passages and make notes as you want, without damaging the book. Because Goodreads is owned by Amazon, your Kindle notes and highlights will be saved there and you can choose to keep them private or make them public. Here are mine. Also, if you purchase a Kindle book on Amazon, you can highlight and share directly to Twitter or Facebook.
No need for bookmarks. The book stays where you left it. Of course, if you love bookmarks because they are art, that’s great. This is more for those people that always lose them and then have to resort to shoelaces, bus tickets, supermarket receipts and the like.
Accessibility. Size of font can be changed, perfect for people with visual impairment. On a different level, e-readers are also very light. I remember someone commenting on a Goodreads post that they appreciated Kindle when they broke both their wrists and books became too heavy to hold.
Prevent loss of books by backing them in a cloud. Books get lost. You move from home, to a different city, or a different country, can’t take your books with you. You settle in the new city/country, go back home to get your books, but those are nowhere to be found, because your family lost them and didn’t tell you and instead let you search desperately everywhere from floor to ceiling for them, not helping you search for them, repeating that they have no idea where those books could be, that they were right there last year. Until you realise that the books are gone forever and they won’t be so easy to obtain again because they are out of print. No such problems with eBooks. Even if some wicked person gets hold of your e-reader and deletes every book you have stored on it. I don’t know about other brands but with Amazon Kindle you keep all your purchases in your cloud; if this is not the case with whichever product you’re using, please make sure you back your eBooks up. This goes for all the digital content.
eBooks can’t be lent. “Can I borrow that book you talked about?” “No, it’s an eBook.” May sound mean, but come on, how many books have you lent to people, only for them to never be returned to you? Or returned in a terrible shape? EBooks beautifully eradicate that issue. Get your own copy, you thief.
Environment. No paper, no cutting of trees.
What about libraries? You love libraries, right? Let me tell you that they are not dying, because many of them offer eBook lending too.
Not sure if you want the world to know what you’re reading? No worries, nobody can see the cover, nobody will know.
Not books, but since we’re talking Kindle, you can get newspaper and magazine subscriptions in this format. And because they’re digital, they won’t clutter your space—and save the trees.
Last but not least, if you’re worried about staring at yet another screen, let me reassure you that eReaders don’t strain your eyes. It’s just like reading paper.
Of course I realise eBooks also have downsides–I’m not an uncritical fanatic. Like, you can’t have a digital book signed by the author, should you ever meet them. And browsing a bookstore is a legitimate way to spend your Saturday. And not all the titles are available in this format, which is unfortunate. I do hope more and more books will be released as eBooks as time goes by. Remember my Isaac Asimov post? Well, his Foundation series, which then was not available in digital form, has since become available in digital form!
So, what do you think, readers of WordPress and beyond? How do you consume literature? What about Audiobooks–are they your favourite format? Tell me in the comments!
Books in this post are: Margaret Atwood’s Handmaid’s Tale (photoshoot with tulips), Agatha Christie’s Autobiography (dictionary shot), LM Montgomery’s Anne of Green Gables (large font), Sally Baumont’s Rebecca’s Tale (coffee shop pic) and finally, Isaac Asimov’s Foundation.
*To clarify, I found an old copy Anne of Green Gables in a charity shop. It’s a paperback from 1972 and barely holds together, with help of a lot of sellotape. So the point still stands because it’s an old edition, which you can’t find in shops anymore. I bought it after I already had the digital versions from Gutenberg. I’ve never seen any of the other Anne books, or any other LM Montgomery books, in a physical form.