Following my previous post, here are some pictures of Haworth Parsonage. (And some things I’ve got to say at the end.)
Haworth Parsonage was the home of Charlotte, Emily and Anne Brontë and is now a museum. It’s mostly unchanged from what it looked like then and contains furniture, clothes and other possessions and artefacts owned by the family. Certainly interesting for any literature lover, but an absolute must for fans of any of the sisters.
St Michael and All Angels Church, where Patrick Brontë was a parson.
The tickets cost £9 for an adult, but can be used for multiple visits within 12 months. The museum also has a little shop that sells their books and souvenirs. They have mugs, notebooks, tote bags, stationery, you know that sort of stuff. I bought myself a fridge magnet with the picture of that famous painting of the three sisters, made by their troublemaker brother Branwell.
I couldn’t help but feel there was an underlying sadness, but that sadness is always there when it comes to the Brontës, isn’t it? They all died so young. I felt such sorrow for Patrick Brontë, who lost his whole family; first his wife to cancer, then all six children one by one. Aside from literature, should another word associated with the Brontës be–tuberculosis? What’s interesting is that Patrick lived to be 84 and for one reason or another, had a strong immunity that was not inherited by his children. Although I wonder. If Charlotte really died from a form of extreme morning sickness, could she have lived longer had she not got pregnant?
The graveyard between the Parsonage and the church.
I want to say a few words about the books now. The ones I’ve read so far are: Jane Eyre by Charlotte, Wuthering Heights by Emily and The Tenant of Wildfell Hall by Anne. My favourite out of these? The Tenant of Wildfell Hall! And this is not me being a hipster. It’s because–how could it not be? The real question is, why is it not more popular? Why is Anne known only as the “third Brontë sister”, so much so that Family Guy had a cutaway scene about that?
Charlotte prevented re-publication of The Tenant of Wildfell Hall after Anne’s death because apparently she found it too shocking. Well, it was, but why did Charlotte find it so? This is what she had to say about it: “Wildfell Hall hardly appears to me desirable to preserve. The choice of subject in that work is a mistake, it was too little consonant with the character, tastes and ideas of the gentle, retiring inexperienced writer.” Like, sigh… So because someone is gentle, they can only write… gentle? Do you even fiction, Charlotte? And who are you to decide it was not desirable to preserve and what makes you think the subject of the work is a mistake? Anne didn’t put in the book anything that she hadn’t seen while working as a governess, which included Branwell’s affair with Lydia Robinson, the mistress of the house and mother of the children Anne was a governess to. It’s likely she left her position because of that.
What can you do, Branwell gonna Branwell.
Really, I don’t understand why Charlotte was so easily shocked. She was the oldest. She spent time in Brussels, she had a huge crush on a married man, she worked as a teacher and as a governess, she must have seen things. And then there was the alcohol-prone, opium-addicted, debt-incurring brother. Branwell inspired all three of the sisters to some extent, at least I think I can find him in every book. John Reed in Jane Eyre, Hindley Earnshaw in Wuthering Heights and Arthur Huntingdon in The Tenant of Wildfell Hall. All of their work was quite groundbreaking at the time. So why the outrage, Charl?
I found this article about Anne by Lucy Mangan on Guardian, which ends with “I’d like to think her time has come.” I’d like to think so too and that, in the #MeToo era, there’s no better time than now.
#TeamAnne
Link to The Tenant of Wildfell Hall on Gutenberg. Also, hello Netflix, Amazon Prime or whoever, if you’re reading this: we urgently need a new adaptation. Sort it out for us, please.
Next: The Yorkshire moors!
