This is the post that was always meant to be. I have never specially planned it but I was always conscious of its existence outside Some Photoblog’s space-time continuum. Now, the time has come to publish it.
World, welcome to my most favourite author ever.
Some call her the Queen of Crime and even if you’ve never read any of her books, you know who she is.
I have mentioned Agatha Christie once or twice on this blog, most notably in the Yggdrasil entry, but never made a post about her. I’ve blogged more about LM Montgomery, who is my second most favourite author (sorry LM!) That’s understandable; when you photograph nature it’s easier to quote Montgomery, as anyone who ever read even one of her books will know, because of those beautiful descriptions.
I got into Agatha Christie sometime in my mid-teens; my first book was Murder of Roger Ackroyd, an Hercule Poirot mystery, which also happens to be one of the best. It could hardly have been a better start. But her best selling (and indeed the best selling mystery novel of all) is And Then There Were None. I think all of us who have read And Then There Were None can agree that this is absolutely justified.
(Yes, it’s the-one-that-one-that-used-to-have-that-racist-title, but this was taken from a children’s rhyme, which is not Agatha’s creation. In newer editions, the racial slur in the rhyme is replaced with “soldier”.)
Hercule Poirot, the private detective from Belgium and Miss Marple, an old lady who has lived all of her life in a little village of St Mary Mead are Agatha Christie’s most famous characters. But she’s much more than that. There are Tommy and Tuppence Beresford, the couple that first appear in The Secret Adversary as young adventurers and who unlike Poirot and Marple actually get older with each subsequent book. Then we have short stories featuring Mr Parker Pyne, who is an unusual type of detective, if he can be called that. Are you happy? If not, consult Mr Parker Pyne, runs his advertisement in the newspaper. His speciality appears to be the matters of heart (as in, love, not heart surgery). And then there is the most mysterious character Agatha ever created, Mr Harley Quin (not to be confused with Harley Quinn, the DC comics character). He appears and disappears again just at the right time, with no explanation, and we never get to find out anything about him. The short stories featuring him are written from the point of view of Mr Satterthwaite, a middle aged socialite, who–not in a malicious way–enjoys other people’s drama. Harley Quin short stories have this spooky atmosphere, almost touching on supernatural.
Apart from the above, Agatha Christie’s work includes numerous mystery novels without any regular detective; a few with Superintendent Battle, who also appeared alongside Poirot in Cards on the Table. And so on and so on.
I don’t know how many people are aware of the fact that she didn’t just write mystery/crime fiction. She wrote six novels under the name Mary Westmacott. I’ve seen them boxed under “romantic novel” genre, though I’m unsure how correct this would be. I’ve only read Giant’s Bread so far and I would not classed it as romance/romantic fiction. I’m not that good at labelling things, but if Giant’s Bread got a movie adaptation, I’d call it drama or period drama.
And that’s not all. She was also a playwright. The Mousetrap is the longest running play in UK. I have seen it performed here in Manchester on their 60th anniversary tour. (As you can see from the top picture, I kept the ticket, for all of six and a half years!)
What’s interesting also is that, though she wrote a few plays and even turned her own books into plays (e.g. there is a stage version of And Then There Were None with a different ending; Witness for the Prosecution was a short story before it was a play), her stories are still adapted for stage by other writers. For example, Love from a Stranger is a play based on the short story Philomel Cottage. You can find Philomel Cottage in the Witness for the Prosecution and Other Stories collection (maybe in other collections too) or on its own in digital format. It’s a tense story about a newly married woman experiencing sudden anxiety, which she cannot identify. I like to think of it as a predecessor to modern domestic thrillers, though it’s probably not, because I can’t imagine many people/writers know of it. But it has exactly the same feel. I went to see Love from a Stranger last year in July.
Speaking of adaptations, it would be an unpardonable crime not to mention this guy.
David Suchet played Poirot on screen for 24 years and will probably always be the best, the most ultimate Poirot of all time. Not that other actors shouldn’t play him or that they won’t be good as good Poirots; I mean that no one will be the truer Poirot as Suchet. He is so much associated with the little Belgian detective that he wrote a book about it!
Currently he is played by Kenneth Branagh, who has done Murder on the Orient Express and is preparing Death on the Nile next. Branagh’s Poirot is more of a 21st century hero, with a more diverse cast. And that moustache is a legend!
I relate to Poirot in a way that he’s a Continental European living in England and people keep getting his nationality wrong.
My name is Hercule Poirot and I am probably the greatest detective in the world.Hercule Poirot, The Mystery of the Blue Train
The impossible cannot have happened, therefore the impossible must be possible in spite of appearances.Hercule Poirot, Murder on the Orient Express
Human nature is much the same everywhere and, of course, one has opportunities of observing it at close quarters in a village.Miss Marple, The Thumb Mark of St Peters (short story)
This above quote is the most typical of Miss Marple. She usually cracks the mystery because someone reminds her of someone else. I think in this way, her village serves as a microcosm of the world. She observes life closely, which then helps her solve crimes that baffle even experienced Scotland Yard officers.
Some of my collection:
In fact most of the physical books I own are Agatha Christies. I bought them before eBooks were a thing.
So, as you can see, I’m an Agatha Christie fan. I know she’s not literally acclaimed–some male author apparently wrote an essay titled Who Cares Who Killed Roger Ackroyd? (who cares about you, more like)–but so what. There is nothing like curling up with a blanket, nice cup of hot drink and a good old fashioned mystery. Does not mean you can’t appreciate Shakespeare as well. Actually Agatha quotes Shakespeare sometimes–the novel Taken at the Flood is titled after a line in Julius Caesar. And I want to add another thing, the thing I think about often and which appears in her books quite a lot and is my favourite element of her entire work.
Whenever there is a crime committed, the perpetrator must be found. But the most important thing is not to punish the perpetrator. It’s to clear the people that didn’t do it. I first came across this in Miss Marple short story The Four Suspects. Miss Marple and her companions discuss an unsolved case presented to them by Sir Henry Clithering, a retired Scotland Yard Commissioner. Miss Marple, as is her fashion, comes to the correct conclusion without much trouble. Sir Henry is outraged by the fact that the guilty party got away with it, but Miss Marple points out that it was not the case–the murderer got in with such a bad lot that their end will be inevitable. But she urges Sir Henry to let the other parties know that they’re innocent. Well, she means particularly one party, the one she believes would suffer most from having that suspicion hanging over their head.
One mustn’t waste thought on the guilty–it’s the innocent who matter.Miss Marple, The Four Suspects (short story)
This is also the whole premise of Ordeal by Innocence. Dr Calgary approaches a family claiming that he can provide an alibi for their son who got charged with murder. It’s too late for the son, who died in prison but he thinks he can at least clear his name. But this causes distress to the family–if it wasn’t him, then who was it? And immediately they start suspecting each other again and their nightmare is back. Dr Calgary then decides to find the culprit–which he does in the end.
It’s not the guilty who matter. It’s the innocent. It’s we who matter. Don’t you see what you’ve done to us all?Hester, Ordeal by Innocence
And that is why Ordeal by Innocence is such a good book and a rare late one. (To be perfectly honest, the later works of Agatha Christie as not as good, though there are still some gems.) It is also why the latest adaptation on BBC got it so wrong. It’s not so much that they changed the murderer, it’s that they completely misunderstood the story. You can change a lot of things in an adaptation and still keep the spirit of the book. Remember what I said about the new Netflix Anne of Green Gables series, Anne with an E? It differs from the books a lot, adds new characters and plots, but it still keeps the same spirit. The same aesthetics. All the characters are what they are in the books; Anne, the Cuthberts, Diana, Gilbert, Mrs Lynde. The setting, which is crucial, is still the same Prince Edward Island. Sure, it’s dark, but it’s not like that darkness was completely made up by the screenwriter. It was always there, between the lines. The screenwriters knew their stuff. Kenneth Baranagh also knew his stuff when he made the Murder on the Orient Express. Unfortunately the BBC adaptations do not know their stuff. Not. At. All. The last two made me so angry I will not watch them again.
I will end with a quote from the epilogue of Agatha’s autobiography.
I have done what I wanted to do. I have been on a journey. Not so much a journey back through the past, as a journey forward–starting again at the beginning of it all–going back to the Me who was to embark on that journey forward through time. I have not been bounded by time or space. I have been able to linger where I wanted, jump backwards and forwards as I wished.
Ooh she really does float outside the space-time continuum!
Over to you now, readers. Any Agatha Christie fans? Any of you have blogged about her? Come and tell!